Art in America
︎ Joan Jonas’s MoMA Retrospective Reveals the Enduring Influence of Japanese Culture on Her Work
︎ Microbes and Mushrooms Take a Star Turn in Bio Art Show at MIT
Art Monthly
︎ Aria Dean: Abattoir
︎ Rirkrit Tiravanija: A Lot of People
︎ Alexis Blake: Crack Nerve Boogie Swerve
︎ Josh Kline: Project for a New American Century
Artforum
︎ Ann Greene Kelly at Chapter NY
︎ Sandra Cinto at Tanya Bonakdar Gallery
︎ Clémence de La Tour du Pin at Derosia
︎ Allison Miller at Susan Inglett Gallery
︎ Sahana Ramakrishnan at Fridman Gallery
︎ Misha Japanwala at Hannah Traore Gallery
︎ Himali Singh Soin: The quantum entanglement of all mountains
ArtReview
︎ Whitney Biennial 2024 Review: Baby Steps
︎ Louis Osmosis’s Sad America
︎ The Interview: Yto Barrada
︎ Thomas Hirschhorn’s Philosophical War
︎ Helen Marten’s Waste Land
︎ Suchitra Mattai’s Perfect Future
︎ cameron clayborn: No Trespassing
︎ Rosha Yaghmai’s Nowhere Gardens
︎ The Art of ‘A Little Digital Death’
︎ Édgar Calel’s Scattered Secular Rituals
︎ The Rogue Signals of Half a Century of Video Art
︎ Ming Smith’s Radical Intuition
︎ Nina Katchadourian’s Research and Play
Artsy
︎ P.P.O.W’s Four Decades of Courage and Compassion in the Face of Crisis
︎ How Kates-Ferri Projects Turned a Love Story into a Thriving Lower East Side Gallery
Astra
︎ Prisoner of Love: On João Gilberto Noll’s ‘Hugs and Cuddles’
Asymptote
︎ ‘Concerning My Daughter’ by Kim Hye-jin
︎ ‘Harmada’ by João Gilberto Noll
BOMB
︎ Vincent Cy Chen by Jenny Wu
︎ Lap-See Lam Interviewed
︎ Hannah Wilke: Art for Life’s Sake
︎ Sharing Drafts: Joeun Kim Aatchim Interviewed
︎ Ice (Fiction)
The Brooklyn Rail
︎ Graham Little
︎ Maggie Nelson’s Like Love: Essays and Conversations
︎ Lorenza Longhi: World of Yum Yum
︎ Bringing Worlds Together: A Rethinking Residencies Reader
︎ Out of Bounds: Japanese Women Artists in Fluxus
︎ Gego: Measuring Infinity
︎ Carla Zaccagnini: Cuentos de cuentas
︎ Cyberfeminism Index
︎ Visible: Text + Image
︎ Joan Jonas’s MoMA Retrospective Reveals the Enduring Influence of Japanese Culture on Her Work
︎ Microbes and Mushrooms Take a Star Turn in Bio Art Show at MIT
Art Monthly
︎ Aria Dean: Abattoir
︎ Rirkrit Tiravanija: A Lot of People
︎ Alexis Blake: Crack Nerve Boogie Swerve
︎ Josh Kline: Project for a New American Century
Artforum
︎ Ann Greene Kelly at Chapter NY
︎ Sandra Cinto at Tanya Bonakdar Gallery
︎ Clémence de La Tour du Pin at Derosia
︎ Allison Miller at Susan Inglett Gallery
︎ Sahana Ramakrishnan at Fridman Gallery
︎ Misha Japanwala at Hannah Traore Gallery
︎ Himali Singh Soin: The quantum entanglement of all mountains
ArtReview
︎ Whitney Biennial 2024 Review: Baby Steps
︎ Louis Osmosis’s Sad America
︎ The Interview: Yto Barrada
︎ Thomas Hirschhorn’s Philosophical War
︎ Helen Marten’s Waste Land
︎ Suchitra Mattai’s Perfect Future
︎ cameron clayborn: No Trespassing
︎ Rosha Yaghmai’s Nowhere Gardens
︎ The Art of ‘A Little Digital Death’
︎ Édgar Calel’s Scattered Secular Rituals
︎ The Rogue Signals of Half a Century of Video Art
︎ Ming Smith’s Radical Intuition
︎ Nina Katchadourian’s Research and Play
Artsy
︎ P.P.O.W’s Four Decades of Courage and Compassion in the Face of Crisis
︎ How Kates-Ferri Projects Turned a Love Story into a Thriving Lower East Side Gallery
Astra
︎ Prisoner of Love: On João Gilberto Noll’s ‘Hugs and Cuddles’
Asymptote
︎ ‘Concerning My Daughter’ by Kim Hye-jin
︎ ‘Harmada’ by João Gilberto Noll
BOMB
︎ Vincent Cy Chen by Jenny Wu
︎ Lap-See Lam Interviewed
︎ Hannah Wilke: Art for Life’s Sake
︎ Sharing Drafts: Joeun Kim Aatchim Interviewed
︎ Ice (Fiction)
The Brooklyn Rail
︎ Graham Little
︎ Maggie Nelson’s Like Love: Essays and Conversations
︎ Lorenza Longhi: World of Yum Yum
︎ Bringing Worlds Together: A Rethinking Residencies Reader
︎ Out of Bounds: Japanese Women Artists in Fluxus
︎ Gego: Measuring Infinity
︎ Carla Zaccagnini: Cuentos de cuentas
︎ Cyberfeminism Index
︎ Visible: Text + Image
e-flux
︎ Eva Gold’s ‘Shadow Lands’ at Silke Lindner
︎ Mit Jai Inn at Silverlens
The Los Angeles Review of Books
︎ A New Hong Kong Cinema That Lives On: On Tiffany Sia’s ‘On and Off-Screen Imaginaries’
︎ Sincerely Paranoid: On Catherine Lacey’s ‘Biography of X’
︎ Possibly Related Characters: On Li Zi Shu’s ‘The Age of Goodbyes’
︎ Was It a Betrayal?: On Kate Zambreno’s ‘To Write as if Already Dead’
The Millions
︎ For Kate Zambreno, Playthings Are Profound
︎ Elder Care: On Alexandra Chang’s ‘Tomb Sweeping’
︎ Getting Ahead: On Emma Cline’s ‘The Guest’
︎ A Year in Reading
︎ The Shape of Thought: On Emily Hall’s ‘The Longcut’
︎Tangled Muses: On Chelsea Martin’s ‘Tell Me I’m an Artist’
Momus
︎ Through the Looking Glass: Distortion and the Fantasy of a Feminist Nude
︎ Portrait of the Artist as a Young Thief
︎ Solitary: Collective Authorship and its Discontents
The New York Times
︎ The Loneliness, and Danger, of Being a Young Woman in a New City
︎ What I Learned When I Started Using Rogaine
The Washington Post
︎ The tragic exploitation that puts food on our plates
︎ A furious, joyful memoir of working-class New Jersey and the writing life
︎ Ambition is the antihero in ‘Central Places’
X-TRA Contemporary Art Journal
︎ Organic Intellectuals
More selected work
︎ A Long View of What is Near: The Place-Based Work of PSA
︎ An Art Book with Teeth: Tammy Nguyen’s ‘O’
︎ Artist Bang Geul Han Charts Borders and Desire Lines
︎ Atomic Terrain won’t stop at just one rose
︎ ‘Between Waves’ Dives Deep into Asia-Pacific History
︎ Chamber Music, in ‘lunares’ by Hyeree Ro
︎ Circulation as Critique: Guanyu Xu’s Itinerant Images
︎ Gary Simmons and the art of unearthing ugly American truths
︎ ‘Hit Parade of Tears’ by Izumi Suzuki
︎ Interlude Docs: Doc 117
︎ Lap-See Lam: The Lightness of History
︎ Life Without Style
︎ Parallel Play
︎ “Point Reflection” — Aki Sasamoto
︎ The Critic-Comptroller: On Renee Gladman’s Solo Show at Artists Space
︎ The Long Journey Preceding Paradise: On The Sojourn and A Stone’s Throw
︎ The Promiscuity of Order: Literally means collapse at SculptureCenter
︎ Trust Exercise: Stine Marie Jacobsen’s Group-Think Rewrites Protocols of Protest and Consent
Shows I’ve curated
︎ ‘Texts and Soundings’ at the NARS Foundation
︎ ‘Test Flights’ at the Lower East Side Printshop
︎
︎New York
︎ Thompson Literary Agency
︎ jennywu488@gmail.com
︎ Eva Gold’s ‘Shadow Lands’ at Silke Lindner
︎ Mit Jai Inn at Silverlens
The Los Angeles Review of Books
︎ A New Hong Kong Cinema That Lives On: On Tiffany Sia’s ‘On and Off-Screen Imaginaries’
︎ Sincerely Paranoid: On Catherine Lacey’s ‘Biography of X’
︎ Possibly Related Characters: On Li Zi Shu’s ‘The Age of Goodbyes’
︎ Was It a Betrayal?: On Kate Zambreno’s ‘To Write as if Already Dead’
The Millions
︎ For Kate Zambreno, Playthings Are Profound
︎ Elder Care: On Alexandra Chang’s ‘Tomb Sweeping’
︎ Getting Ahead: On Emma Cline’s ‘The Guest’
︎ A Year in Reading
︎ The Shape of Thought: On Emily Hall’s ‘The Longcut’
︎Tangled Muses: On Chelsea Martin’s ‘Tell Me I’m an Artist’
Momus
︎ Through the Looking Glass: Distortion and the Fantasy of a Feminist Nude
︎ Portrait of the Artist as a Young Thief
︎ Solitary: Collective Authorship and its Discontents
The New York Times
︎ The Loneliness, and Danger, of Being a Young Woman in a New City
︎ What I Learned When I Started Using Rogaine
The Washington Post
︎ The tragic exploitation that puts food on our plates
︎ A furious, joyful memoir of working-class New Jersey and the writing life
︎ Ambition is the antihero in ‘Central Places’
X-TRA Contemporary Art Journal
︎ Organic Intellectuals
More selected work
︎ A Long View of What is Near: The Place-Based Work of PSA
︎ An Art Book with Teeth: Tammy Nguyen’s ‘O’
︎ Artist Bang Geul Han Charts Borders and Desire Lines
︎ Atomic Terrain won’t stop at just one rose
︎ ‘Between Waves’ Dives Deep into Asia-Pacific History
︎ Chamber Music, in ‘lunares’ by Hyeree Ro
︎ Circulation as Critique: Guanyu Xu’s Itinerant Images
︎ Gary Simmons and the art of unearthing ugly American truths
︎ ‘Hit Parade of Tears’ by Izumi Suzuki
︎ Interlude Docs: Doc 117
︎ Lap-See Lam: The Lightness of History
︎ Life Without Style
︎ Parallel Play
︎ “Point Reflection” — Aki Sasamoto
︎ The Critic-Comptroller: On Renee Gladman’s Solo Show at Artists Space
︎ The Long Journey Preceding Paradise: On The Sojourn and A Stone’s Throw
︎ The Promiscuity of Order: Literally means collapse at SculptureCenter
︎ Trust Exercise: Stine Marie Jacobsen’s Group-Think Rewrites Protocols of Protest and Consent
Shows I’ve curated
︎ ‘Texts and Soundings’ at the NARS Foundation
︎ ‘Test Flights’ at the Lower East Side Printshop
︎
︎New York
︎ Thompson Literary Agency
︎ jennywu488@gmail.com