https://jenny5.cargo.site Jenny Wu Tue, 18 Jul 2023 20:45:22 +0000 https://jenny5.cargo.site en https://jenny5.cargo.site/The-Forest-Fountain Tue, 18 Jul 2023 20:45:19 +0000 Jenny Wu https://jenny5.cargo.site/The-Forest-Fountain Images 001 <img width="2247" height="1498" width_o="2247" height_o="1498" data-src="https://freight.cargo.site/t/original/i/8329a8e869c28df1badbcbd2d9023fcd96f74ab904b9ae0a71e83b9eb0b8ea91/OBS-anti-apex-Fountains-DJSAdj333.jpg" data-mid="185446471" border="0" alt="FF&mdash;004" data-caption="FF—004" src="https://freight.cargo.site/w/1000/i/8329a8e869c28df1badbcbd2d9023fcd96f74ab904b9ae0a71e83b9eb0b8ea91/OBS-anti-apex-Fountains-DJSAdj333.jpg" /> FF—004 <img width="1896" height="1442" width_o="1896" height_o="1442" data-src="https://freight.cargo.site/t/original/i/9bd5d07e1f0aae9a4b51af9dd3b3eec504f7564f2ebc170069af059cbc5d58f7/OBS-anti-apex-Fountains-JDJDJ23423.jpg" data-mid="185446474" border="0" alt="FF&mdash;006" data-caption="FF—006" src="https://freight.cargo.site/w/1000/i/9bd5d07e1f0aae9a4b51af9dd3b3eec504f7564f2ebc170069af059cbc5d58f7/OBS-anti-apex-Fountains-JDJDJ23423.jpg" /> <img width="2040" height="1465" width_o="2040" height_o="1465" data-src="https://freight.cargo.site/t/original/i/018310a1873dea57519833e2ca8b05415a7517a9e087e0ccecdc9624f166b43d/OBS-anti-apex-Fountains-sad23232.jpg" data-mid="185446483" border="0" alt="FF&mdash;009" data-caption="FF—009" src="https://freight.cargo.site/w/1000/i/018310a1873dea57519833e2ca8b05415a7517a9e087e0ccecdc9624f166b43d/OBS-anti-apex-Fountains-sad23232.jpg" /> <img width="966" height="970" width_o="966" height_o="970" data-src="https://freight.cargo.site/t/original/i/fa64d0bc718308b308c4f211aa4bb06108ba33d0048e965a634ec303cd17cc1f/OBS-anti-apex-Fountains-JSDY939393.jpg" data-mid="185446475" border="0" alt="FF&mdash;007" data-caption="FF—007" src="https://freight.cargo.site/w/966/i/fa64d0bc718308b308c4f211aa4bb06108ba33d0048e965a634ec303cd17cc1f/OBS-anti-apex-Fountains-JSDY939393.jpg" /> <img width="634" height="397" width_o="634" height_o="397" data-src="https://freight.cargo.site/t/original/i/280fbc1ecd2257c1c2c84cbd4332bb7715eb448c08b79e49f591d2ab4a2ee841/OBS-anti-apex-Fountains-DKJ234973928.jpg" data-mid="185446472" border="0" alt="FF&mdash;005" data-caption="FF—005" src="https://freight.cargo.site/w/634/i/280fbc1ecd2257c1c2c84cbd4332bb7715eb448c08b79e49f591d2ab4a2ee841/OBS-anti-apex-Fountains-DKJ234973928.jpg" /> <img width="1216" height="603" width_o="1216" height_o="603" data-src="https://freight.cargo.site/t/original/i/2cbc85d539f3081dbf7c60b7a755d7fb58ab8548e889b217d4e90335563c7047/OBS-anti-apex-Fountains-SLKDJF98.jpg" data-mid="185446485" border="0" alt="FF&mdash;011" data-caption="FF—011" src="https://freight.cargo.site/w/1000/i/2cbc85d539f3081dbf7c60b7a755d7fb58ab8548e889b217d4e90335563c7047/OBS-anti-apex-Fountains-SLKDJF98.jpg" /> <img width="1075" height="952" width_o="1075" height_o="952" data-src="https://freight.cargo.site/t/original/i/7cf8864cdcbcc4d5534d66c7d16a15ec2ff33c81d8390ec15ee7d8313ef9e394/OBS-anti-apex-Fountain-ASLKFJ2.jpg" data-mid="185446470" border="0" alt="FF&mdash;001" data-caption="FF—001" src="https://freight.cargo.site/w/1000/i/7cf8864cdcbcc4d5534d66c7d16a15ec2ff33c81d8390ec15ee7d8313ef9e394/OBS-anti-apex-Fountain-ASLKFJ2.jpg" /> <img width="1584" height="1125" width_o="1584" height_o="1125" data-src="https://freight.cargo.site/t/original/i/e6fe611142df1dadd75093c660dbdd7c3614d35cec9788fc8a13240f0c7093ef/OBS-anti-apex-Fountains-JD2342342.jpg" data-mid="185446473" border="0" alt="FF&mdash;005" data-caption="FF—005" src="https://freight.cargo.site/w/1000/i/e6fe611142df1dadd75093c660dbdd7c3614d35cec9788fc8a13240f0c7093ef/OBS-anti-apex-Fountains-JD2342342.jpg" /> <img width="1057" height="811" width_o="1057" height_o="811" data-src="https://freight.cargo.site/t/original/i/f8e280696c9c8a1a8bb764fd538deda79bc7c93e31141236bc4b71ddbc3f9d48/OBS-anti-apex-Fountains-K4345.jpg" data-mid="185446478" border="0" alt="FF&mdash;008" data-caption="FF—008" src="https://freight.cargo.site/w/1000/i/f8e280696c9c8a1a8bb764fd538deda79bc7c93e31141236bc4b71ddbc3f9d48/OBS-anti-apex-Fountains-K4345.jpg" /> <img width="2304" height="1464" width_o="2304" height_o="1464" data-src="https://freight.cargo.site/t/original/i/27039b6a52ad7ce2446d63c284507fa5486ba797920410f6b3ad4987ccc99c2f/OBS-anti-apex-Fountains-KJH6.jpg" data-mid="185446480" border="0" alt="FF&mdash;010" data-caption="FF—010" src="https://freight.cargo.site/w/1000/i/27039b6a52ad7ce2446d63c284507fa5486ba797920410f6b3ad4987ccc99c2f/OBS-anti-apex-Fountains-KJH6.jpg" /> Notes 1 Roman fountains were decorated with bronze or stone masks of animals or heroes.2 The Book of Ingenious Devices, describing the works of the 1st century Greek Engineer Hero of Alexandria… described fountains which formed water into different shapes and a wind-powered water pump.3 Under the Medicis, fountains were not just sources of water, but advertisements of the power and benevolence of the city’s rulers. Chapter (1)~ The Forest Fountain Us entered the forest from the north side, through the meadow, at about 4½ hours before sundown. Obviously, to say, “the north side” is ridiculous, because Us knows the “north side” of the forest, to be neither straight nor distinct. But, if recall serves Us well, Us will remember there is that small clearing, which at some point started to be referred to as “the meadow” — and, there is a distinct path there. Us loves how the branches of the oak and pine parallax with smooth beauty in the canopy above. The smell is peaty and sappy; the path is sometimes spongey, but in some areas something like hard-packed gravel. Us thinks that these areas without moss are caused by sunlight coming through at certain times during the day. After walking for about 2 hours Us sees that there are stones bordering the trail and mostly gravel underfoot. After walking for another 10 minutes, the path rises up a distinct grade. When Us gets to the highest point, Us is stunned to see a very large, round, marble fountain in an unwooded circular area. The marble is grey and blue, and the fountain is round with concentric tiers, the smallest on top. Blue-ish water is spilling down, from one tier to the other until splashing in the large pool at the bottom. Us jogs down to the rim of the fountain. The rim is about knee high. Us is unsure of how the fountain is powered, or where the water generates from. But Us is happy to sit on the ground and leaning back against the low marble wall and listening and smelling and seeing, in the last remaining hours of daylight. Us removes the un-networked reader from the backpack and continues to read from favorite passages of verse, well into the evening. https://jenny5.cargo.site/Ancient-Elevators Tue, 18 Jul 2023 20:45:20 +0000 Jenny Wu https://jenny5.cargo.site/Ancient-Elevators Images 002 <img width="856" height="737" width_o="856" height_o="737" data-src="https://freight.cargo.site/t/original/i/888bfffdff0620ba66c4f2d42b9c0ec25598678ac66d42050e9cf062dc48a7e3/OBS-anti-apex-Elevator-JDHFNC38388.jpg" data-mid="185446490" border="0" alt="AE&mdash;010" data-caption="AE—010" src="https://freight.cargo.site/w/856/i/888bfffdff0620ba66c4f2d42b9c0ec25598678ac66d42050e9cf062dc48a7e3/OBS-anti-apex-Elevator-JDHFNC38388.jpg" />AE—008 <img width="1430" height="1364" width_o="1430" height_o="1364" data-src="https://freight.cargo.site/t/original/i/7d3cc531b90791acda549f201f8a37a1009281140113843846d3fdec72ae615e/OBS-anti-apex-Elevator-DFG7328476.jpg" data-mid="185446487" border="0" alt="AE&mdash;002" data-caption="AE—002" src="https://freight.cargo.site/w/1000/i/7d3cc531b90791acda549f201f8a37a1009281140113843846d3fdec72ae615e/OBS-anti-apex-Elevator-DFG7328476.jpg" /> <img width="823" height="1009" width_o="823" height_o="1009" data-src="https://freight.cargo.site/t/original/i/1591b545e523e55c24f2e03c942cff4e531af8e6ef07581a9ed657f5394acb14/OBS-anti-apex-Elevator-BDS48.jpg" data-mid="185446486" border="0" alt="AE&mdash;004" data-caption="AE—004" src="https://freight.cargo.site/w/823/i/1591b545e523e55c24f2e03c942cff4e531af8e6ef07581a9ed657f5394acb14/OBS-anti-apex-Elevator-BDS48.jpg" /> <img width="2000" height="1764" width_o="2000" height_o="1764" data-src="https://freight.cargo.site/t/original/i/7b377a1bb0daac6ea2aa47461df452fecdb87779a7c219dc848cc40783beb529/OBS-anti-apex-Elevator-DKFJDK494949.jpg" data-mid="185446489" border="0" alt="AE&mdash;001" data-caption="AE—001" src="https://freight.cargo.site/w/1000/i/7b377a1bb0daac6ea2aa47461df452fecdb87779a7c219dc848cc40783beb529/OBS-anti-apex-Elevator-DKFJDK494949.jpg" /> <img width="1038" height="574" width_o="1038" height_o="574" data-src="https://freight.cargo.site/t/original/i/1a97d93dd31d2e68be2ff028373753aff3dcda3b9dc1d11b0ed0dd34280745a1/OBS-anti-apex-Elevator-DHSK28376.jpg" data-mid="185446488" border="0" alt="AE&mdash;006" data-caption="AE—006" src="https://freight.cargo.site/w/1000/i/1a97d93dd31d2e68be2ff028373753aff3dcda3b9dc1d11b0ed0dd34280745a1/OBS-anti-apex-Elevator-DHSK28376.jpg" /> <img width="1022" height="1391" width_o="1022" height_o="1391" data-src="https://freight.cargo.site/t/original/i/837e75b62d9c3355e08b3c1b9589e36cd379ceb49f2599423fb08d85168be903/OBS-anti-apex-Elevator-NDJUW383838.jpg" data-mid="185446493" border="0" alt="AE&mdash;007" data-caption="AE—007" src="https://freight.cargo.site/w/1000/i/837e75b62d9c3355e08b3c1b9589e36cd379ceb49f2599423fb08d85168be903/OBS-anti-apex-Elevator-NDJUW383838.jpg" /> <img width="2000" height="1335" width_o="2000" height_o="1335" data-src="https://freight.cargo.site/t/original/i/9582058d5b6807a2c7bca296692d640dcd3f2f4b0174aa1a3b20ff65bc2f3d02/OBS-anti-apex-Elevator-SDFJ847229.jpg" data-mid="185446494" border="0" alt="AE&mdash;011" data-caption="AE—011" src="https://freight.cargo.site/w/1000/i/9582058d5b6807a2c7bca296692d640dcd3f2f4b0174aa1a3b20ff65bc2f3d02/OBS-anti-apex-Elevator-SDFJ847229.jpg" /> <img width="948" height="778" width_o="948" height_o="778" data-src="https://freight.cargo.site/t/original/i/0170a134177fe80cbc4639eafc3bfe90d456651156f9ff0ecfd3e294111d01ce/OBS-anti-apex-Elevator-JFJ39876.jpg" data-mid="185446491" border="0" alt="AE&mdash;009" data-caption="AE—009" src="https://freight.cargo.site/w/948/i/0170a134177fe80cbc4639eafc3bfe90d456651156f9ff0ecfd3e294111d01ce/OBS-anti-apex-Elevator-JFJ39876.jpg" /> <img width="1221" height="878" width_o="1221" height_o="878" data-src="https://freight.cargo.site/t/original/i/e36312334bf4b9e7da4a7eeabf4efbd87057f98df767ebde2aa207bcf28a66a2/OBS-anti-apex-Elevator-JS7328465.jpg" data-mid="185446492" border="0" alt="AE&mdash;012" data-caption="AE—012" src="https://freight.cargo.site/w/1000/i/e36312334bf4b9e7da4a7eeabf4efbd87057f98df767ebde2aa207bcf28a66a2/OBS-anti-apex-Elevator-JS7328465.jpg" /> Notes1 The development of elevators was led by the need for movement of raw materials including coal and lumber from hillsides.2 In 1852, Elisha Otis introduced the safety elevator, which prevented the fall of the cab if the cable broke.3 Elevator doors protect riders from falling into the shaft. Chapter (2)~ Ancient ElevatorsThe doors to the ancient carpark elevators scrape open; it is night, and Us is in a lonely and bad part of the city. There is a wind that Us thinks smells unhealthy. The wind wraps and presses a dirty page of newspaper around one shin. Us removes the paper with thumb and pointer finger, and disgustedly releases it. The wind takes it immediately, rolling and skipping it casually down the pitted black street. In the alley on the right, there is an oil drum with a robust fire; Us thinks this is a bit trite for such a scene. There is no one around. Walking a little further there is a distinct smell of meat cooking. Us shuffles along toward the smell, since it seems to be on the way to “the dock” (where the meeting is to happen). After moving along a bit, Us seems to be right on top of the smell. Us looks over the&nbsp;shoulder-height fence along the sidewalk. No grill, no&nbsp;evidence of a kitchen or the like. There is only one&nbsp;distinctive object: a large, white, solitary flower,&nbsp;blossoming from a single stalk of cactus. Us thinks the&nbsp;flower looks “weird,” and out of place. Us looks&nbsp;at it closely, and touches one petal; it is not fake,&nbsp;apparently. Us walks further along toward the water front.&nbsp;The breeze is briny down here, and still smells a bit rank.&nbsp;A helicopter is landing on the other side of the river. https://jenny5.cargo.site/Last-Toner-Cartridge Tue, 18 Jul 2023 20:45:20 +0000 Jenny Wu https://jenny5.cargo.site/Last-Toner-Cartridge Images 003 <img width="748" height="475" width_o="748" height_o="475" data-src="https://freight.cargo.site/t/original/i/7986b4341ecb8c3e0bc9217c517715d430220a8b69cee34da4ce1e3e87e68d2c/OBS-anti-apex-Cartridge-MNBCGD7377.png" data-mid="185446499" border="0" src="https://freight.cargo.site/w/748/i/7986b4341ecb8c3e0bc9217c517715d430220a8b69cee34da4ce1e3e87e68d2c/OBS-anti-apex-Cartridge-MNBCGD7377.png" /> TC—007 <img width="2500" height="1054" width_o="2500" height_o="1054" data-src="https://freight.cargo.site/t/original/i/6442b8168215f028ae6fbd79bca24ebbd5a04b8aa1ccbb3e1ff2da16113153d5/OBS-anti-apex-Cartridge-HDH3993.png" data-mid="185446497" border="0" alt="TC&mdash;001" data-caption="TC—001" src="https://freight.cargo.site/w/1000/i/6442b8168215f028ae6fbd79bca24ebbd5a04b8aa1ccbb3e1ff2da16113153d5/OBS-anti-apex-Cartridge-HDH3993.png" /> <img width="1098" height="557" width_o="1098" height_o="557" data-src="https://freight.cargo.site/t/original/i/414d1b942d367e07607519dc5ed556fefdc053e41967b5715ae247a8e8aa633d/OBS-anti-apex-Cartridge-HHH888.png" data-mid="185446498" border="0" alt="TC&mdash;002" data-caption="TC—002" src="https://freight.cargo.site/w/1000/i/414d1b942d367e07607519dc5ed556fefdc053e41967b5715ae247a8e8aa633d/OBS-anti-apex-Cartridge-HHH888.png" /> <img width="2500" height="1373" width_o="2500" height_o="1373" data-src="https://freight.cargo.site/t/original/i/a3787ba40a23ff2dbcac23f334942d5309a6f8beb338fe52ba3e82b3e54ee278/OBS-anti-apex-Cartridge-NHUT8338.png" data-mid="185446500" border="0" alt="TC&mdash;003" data-caption="TC—003" src="https://freight.cargo.site/w/1000/i/a3787ba40a23ff2dbcac23f334942d5309a6f8beb338fe52ba3e82b3e54ee278/OBS-anti-apex-Cartridge-NHUT8338.png" /> <img width="748" height="440" width_o="748" height_o="440" data-src="https://freight.cargo.site/t/original/i/2990f6333a79f8a30416097f2071608104cd62a02821ac67a6d659ff3b6f9bae/OBS-anti-apex-Cartridge-BCBBCB0909.png" data-mid="185446495" border="0" alt="TC&mdash;004" data-caption="TC—004" src="https://freight.cargo.site/w/748/i/2990f6333a79f8a30416097f2071608104cd62a02821ac67a6d659ff3b6f9bae/OBS-anti-apex-Cartridge-BCBBCB0909.png" /> <img width="1000" height="1000" width_o="1000" height_o="1000" data-src="https://freight.cargo.site/t/original/i/5034a6da96be7abefa413b67729d1f3deb6e5945028dbd3ffc88177b62f184c8/OBS-anti-apex-Cartridge-VCGDTD6.jpg" data-mid="185446501" border="0" alt="TC&mdash;005" data-caption="TC—005" src="https://freight.cargo.site/w/1000/i/5034a6da96be7abefa413b67729d1f3deb6e5945028dbd3ffc88177b62f184c8/OBS-anti-apex-Cartridge-VCGDTD6.jpg" /> <img width="1930" height="977" width_o="1930" height_o="977" data-src="https://freight.cargo.site/t/original/i/de976152b0d8a032a62bd3b90e3eae1ac05c60f0de60beedf04e6420c32285f5/OBS-anti-apex-Cartridge-BHYT636363.png" data-mid="185446496" border="0" alt="TC&mdash;006" data-caption="TC—006" src="https://freight.cargo.site/w/1000/i/de976152b0d8a032a62bd3b90e3eae1ac05c60f0de60beedf04e6420c32285f5/OBS-anti-apex-Cartridge-BHYT636363.png" /> Notes1 Manufacturers offer certain guarantees when you use genuine brand toner in your printer and makes certain threats if you don’t.2 Problems with compatible toners may be caused by various factors including different melting points, different electrostatic qualities, different pigments and different particle sizes.3 Toner refill kits are also an option, allowing the consumer to simply refill an empty cartridge. Chapter (3) ~ Last Toner Cartridge The last thing Us remembered seeing in the fire, was the printer toner cartridges. The smoke was thick, and Us was severely light headed, but Us distinctly recalled seeing the HP shipping box and one black and white cartridge resting, angled on the carpet. Nothing else, just the cartridges. The facets of those things are so peculiar, almost unimaginably so, Us thought. After this, US passed out. Us woke up being pushed by two firemen. One was African American, so Us immediately felt a connection. When outside they gave Us some oxygen through one of those clear tubes, with the nostril holes. Us thought Us overheard that ______ was still missing, which made Us terrified and made Us feel like Us was going to vomit. After coming to, Us was laying on the gurney, off to the side of the excitement and terror. Us watched little flecks of burned debris falling all over. Us looked at the blue sky beyond the haze and at the flakes collecting on the jacket and the gray straps that secured us to the contraption. Us heard a rumbling that sounded like a massive engine grinding to a halt, as well as screams and yells. Us weakly looked over and saw only approaching blobs of smoke. Us collapsed back looking in the opposite direction at the side street. Before passing out again Us made eye contact with ______ as she was driving by in her little blue sedan. https://jenny5.cargo.site/Index Tue, 18 Jul 2023 20:45:22 +0000 Jenny Wu https://jenny5.cargo.site/Index Jenny Wu︎ Writer, critic, lecturer Associate Editor at ArtReview︎ New York︎Get in touch: pitches, commissions, CUNY Rep: Thompson Literary Agency Recent Writing︎&nbsp;Whitney Biennial 2026 Review: The Revolution Will Be Cute, ArtReview︎ Notes from New York: Rotting Meat, ArtReview︎&nbsp;Appropriation Culture: Richard Prince and Arthur Jafa, ArtReview Audio︎&nbsp;ArtReview Podcast | Episode 2: Sarah Morris (Listen on Spotify and YouTube)︎&nbsp;Untitled Edit - The Evolving Landscape of Art Writing. Presented by the Rabkin Foundation (Listen here)Curatorial Projects ︎ ‘gmtc sessions’, New York, NY︎ ‘Texts and Soundings’ at the NARS Foundation, Brooklyn, NY ︎ ‘Test Flights’ at the Lower East Side Printshop, New York, NY ‘Notes from New York’ Column (ArtReview) ︎ Independent Study, 02.2026︎ Writing into Oblivion, 01.2026︎ Intimacy Post-#MeToo, 12.2025︎ Child’s Play, ArtReview, 11.2025︎ Art Critics and Gangster Capitalism, 09.2025︎ The Garden, 07.2025︎ Free Sample, 06.2025︎ Generic and Perfect, 05.2025︎ Inside Out, Outside In, 04.2025︎ Embrace the Anomaly, 03.2025︎ A Second Chance, 02.2025︎ All Together Now, 01.2025︎ A Day in the Life, 12.2024︎ Seeing in the Dark, 11.2024︎ Rest Not Radicalism, 10.2024︎ Makeshift Machines, 09.2024︎ Get Lost, 08.2024︎ Back to School, 07.2024︎ Group Shows, Everywhere, 06.2024︎ Barthes Fair, 05.2024 Writing (Archive)︎ Eiko Otake and Wen Hui on ‘What is War,’ The Amp ︎ ‘Means of Production’ Exposes the Seams of Art and Commerce, The Amp︎ An Art Book with Teeth: Tammy Nguyen’s ‘O’, The Amp︎ Artist Bang Geul Han Charts Borders and Desire Lines, The Amp︎ ‘Between Waves’ Dives Deep into Asia-Pacific History, The Amp︎ Frozen Time, Apartamento (the essay was later a runner-up in the 2024 Toni Beauchamp Prize in Critical Art Writing)︎ Lap-See Lam: The Lightness of History, Ars Fennica 2023 Award Catalog ︎ Gary Simmons and the art of unearthing ugly American truths, Art Basel Magazine︎&nbsp;Asian American Art Survey Teaches a Lesson in Allowing Identity to Reveal Itself, Art in America ︎ Joan Jonas’s MoMA Retrospective Reveals the Enduring Influence of Japanese Culture on Her Work, Art in America︎ Microbes and Mushrooms Take a Star Turn in Bio Art Show at MIT, Art in America︎ Aria Dean: Abattoir, Art Monthly ︎ Rirkrit Tiravanija: A Lot of People, Art Monthly︎ Alexis Blake: Crack Nerve Boogie Swerve, Art Monthly︎ Josh Kline: Project for a New American Century, Art Monthly︎ Atomic Terrain won’t stop at just one rose, Art21︎ Darren Bader at Matthew Brown, Artforum︎ Yuki Kimura at Jenny’s, Artforum︎ Best of 2025: The Critics’ Critics, Artforum︎ Wang Ye at YveYANG, Artforum︎&nbsp;Alix Cléo Roubaud at&nbsp;Galerie Buchholz, Artforum︎&nbsp;Geumhyung Jeong at Canal Projects, Artforum︎&nbsp;Marlene McCarty and Donald Moffett at&nbsp;Alice Austen House, Artforum︎&nbsp;Lionel Maunz at Bureau, Artforum︎ American Artist at Pioneer Works, Artforum︎ Jaime Pitarch at Spencer Brownstone, Artforum︎ Ann Zhao at Theta, Artforum︎&nbsp;Miranda Fengyuan Zhang at Clearing, Artforum︎ ‘Three Sides Enclosed’ at Ensemble, Artforum︎&nbsp;Hannah Villiger at&nbsp;Meredith Rosen, Artforum︎&nbsp;Diamond Stingily at 52 Walker, Artforum︎ Laura Letinsky at Yancey Richardson, Artforum︎ Openings:&nbsp;Hélène Fauquet, Artforum ︎ Ann Greene Kelly at Chapter NY, Artforum︎ Sandra Cinto at Tanya Bonakdar Gallery, Artforum︎ Clémence de La Tour du Pin at Derosia, Artforum ︎ Allison Miller at Susan Inglett Gallery, Artforum︎&nbsp;Sahana Ramakrishnan at Fridman Gallery, Artforum ︎ Misha Japanwala at Hannah Traore Gallery, Artforum︎ Himali Singh Soin: The quantum entanglement of all mountains, Artforum ︎&nbsp;Love, Melancholy, Anger, and Surprise: Asian Artists Explore the Emotional Side of AI, ARTnews︎ The Lesser-Known Robert Rauschenberg, ArtReview ︎ Inside Édouard Glissant’s Art Collection, ArtReview ︎ Ava Woo Kaufman at Gordon Robichaux, ArtReview︎ On&nbsp;Hito Steyerl’s Medium Hot, ArtReview︎ On Emily LaBarge’s Dog Days, ArtReview ︎ Is the Artworld Intelligent? ArtReview︎ Bagus Pandega’s Shrine to Experimentation, ArtReview Asia ︎ The Lost City of Atlanta, ArtReview ︎ Chicago Exhibition Weekend: Over Your Head, ArtReview ︎ The Interview: Thelma Golden, ArtReview ︎ Gaza Biennial 2025 Review: Defiance Amid Devastation, ArtReview ︎ Ren Light Pan: The Violence of Visibility, ArtReview ︎ Towards A World Of Reckless Abandon, ArtReview︎ How Kerry James Marshall Restored Black Figures to the Western Canon, ArtReview (+ in ArtReview Japan)︎ The Interview: Cauleen Smith, ArtReview ︎ Stephanie Comilang: The Condition of the Diasporic Subject, ArtReview ︎ The Orientalist Fantasy of Chinoiserie, ArtReview ︎ Salman Toor’s Night Vision, ArtReview ︎ Amy Sherald’s American Sublime – Sacred and Profane, ArtReview ︎ Desert X 2025 Review: Morale Failure, ArtReview ︎ Screen Memories of the Middle East, ArtReview ︎ Sohrab Hura: Our Motherless Age, ArtReview ︎ Mark Leckey’s New Dark World, ArtReview ︎ Plain Sight: How Do We Preserve Public Art? ArtReview ︎ PST ART: Making a Name for LA, ArtReview︎ The Interview: Josh Kline, ArtReview ︎ Widening the Lens: A Corrective for Landscape Photography, ArtReview ︎ Catalina Ouyang at Lyles &amp; King, ArtReview︎&nbsp;‘The Harlem Renaissance and Transatlantic Modernism’ Review: Centre and Margin, ArtReview︎ Whitney Biennial 2024 Review: Baby Steps, ArtReview︎ Louis Osmosis’s Sad America, ArtReview︎ The Interview: Yto Barrada, ArtReview︎ Thomas Hirschhorn’s Philosophical War, ArtReview︎ Helen Marten’s Waste Land, ArtReview︎ Suchitra Mattai’s Perfect Future, ArtReview︎ cameron clayborn: No Trespassing, ArtReview︎ Rosha Yaghmai’s Nowhere Gardens, ArtReview︎ The Art of ‘A Little Digital Death’, ArtReview︎ Édgar Calel’s Scattered Secular Rituals, ArtReview︎ The Rogue Signals of Half a Century of Video Art, ArtReview︎ Ming Smith’s Radical Intuition, ArtReview︎ Nina Katchadourian’s Research and Play, ArtReview︎&nbsp;5 Asian American–Led Galleries Building Inclusive Art Communities, Artsy︎ P.P.O.W’s Four Decades of Courage and Compassion in the Face of Crisis, Artsy︎ How Kates-Ferri Projects Turned a Love Story into a Thriving Lower East Side Gallery, Artsy︎ Prisoner of Love: On João Gilberto Noll’s ‘Hugs and Cuddles’, Astra︎ ‘Concerning My Daughter’ by Kim Hye-jin, Asymptote︎ ‘Harmada’ by João Gilberto Noll, Asymptote︎ Vincent Cy Chen by Jenny Wu, BOMB︎ Lap-See Lam Interviewed, BOMB︎ Hannah Wilke: Art for Life’s Sake, BOMB︎ Sharing Drafts: Joeun Kim Aatchim Interviewed, BOMB︎ Ice (Fiction), BOMB︎ Circulation as Critique: Guanyu Xu’s Itinerant Images, Bridge Magazine︎ Penny Slinger’s An Exorcism: A Photo Romance, The Brooklyn Rail ︎&nbsp;In Practice: Covey Gong, The Brooklyn Rail︎&nbsp;Peter Schjeldahl‘s The Art of Dying, The Brooklyn Rail︎ Graham Little,&nbsp;The Brooklyn Rail︎ Maggie Nelson’s Like Love: Essays and Conversations,&nbsp;The Brooklyn Rail︎ Lorenza Longhi: World of Yum Yum,&nbsp;The Brooklyn Rail︎ Bringing Worlds Together: A Rethinking Residencies Reader,&nbsp;The Brooklyn Rail︎ Out of Bounds: Japanese Women Artists in Fluxus,&nbsp;The Brooklyn Rail︎ Gego: Measuring Infinity,&nbsp;The Brooklyn Rail︎ Carla Zaccagnini: Cuentos de cuentas,&nbsp;The Brooklyn Rail︎ Cyberfeminism Index,&nbsp;The Brooklyn Rail︎ Visible: Text + Image,&nbsp;The Brooklyn Rail︎ “Point Reflection” — Aki Sasamoto, C Magazine︎ On Miranda Fengyuan Zhang, Capsule Shanghai (press release)︎&nbsp;Collective Memory and Coded Histories at the 60th Venice Biennale, Carla︎ Jesse Stecklow at Dracula's Revenge, Carla︎ The haptic intelligence of Ruth Asawa, Christie’s ︎&nbsp;The Critic-Comptroller: On Renee Gladman’s Solo Show at Artists Space, Cleveland Review of Books︎ On Aki Goto, Desnivel Gallery (press release)︎ Y. Malik Jalal’s ‘Break Neck Speeds’, e-flux (+ in e-flux Index #7)︎ Eva Gold’s ‘Shadow Lands’ at Silke Lindner, e-flux (+ in e-flux Index #3)︎ Mit Jai Inn at Silverlens, e-flux (+ in e-flux Index #1)︎&nbsp;A Long View of What is Near: The Place-Based Work of PSA, Harp &amp; Altar︎ The Promiscuity of Order: Literally means collapse at SculptureCenter, Harp &amp; Altar︎ ‘Hit Parade of Tears’ by Izumi Suzuki, Harvard Review︎ Doc 117, Interlude Docs︎ Michael Joo’s Noospheric (Trans-Alaska JWJ), Island Press New Editions︎ ‘Lyn Liu: H-Dropping,’ Kasmin (catalogue essay) (+ in The Kasmin Review) ︎ A New Hong Kong Cinema That Lives On: On Tiffany Sia’s ‘On and Off-Screen Imaginaries’,&nbsp;The Los Angeles Review of Books︎ Sincerely Paranoid: On Catherine Lacey’s ‘Biography of X’, The Los Angeles Review of Books︎ Possibly Related Characters: On Li Zi Shu’s ‘The Age of Goodbyes’,&nbsp;The Los Angeles Review of Books︎ Was It a Betrayal?: On Kate Zambreno’s ‘To Write as if Already Dead’,&nbsp;The Los Angeles Review of Books︎ Chamber Music, in ‘lunares’ by Hyeree Ro︎ ‘On Chason Matthams,’ Magenta Plains (catalogue essay)︎ Life Without Style, MAP Magazine︎ Parallel Play, MAP Magazine ︎ Trust Exercise: Stine Marie Jacobsen’s Group-Think Rewrites Protocols of Protest and Consent, MARCH: a journal of art &amp; strategy ︎ For Kate Zambreno, Playthings Are Profound,&nbsp;The Millions︎ Elder Care: On Alexandra Chang’s ‘Tomb Sweeping’,&nbsp;The Millions︎ Getting Ahead: On Emma Cline’s ‘The Guest’,&nbsp;The Millions︎ A Year in Reading,&nbsp;The Millions︎ The Shape of Thought: On Emily Hall’s ‘The Longcut’,&nbsp;The Millions︎&nbsp;Tangled Muses: On Chelsea Martin’s ‘Tell Me I’m an Artist’,&nbsp;The Millions ︎ Through the Looking Glass: Distortion and the Fantasy of a Feminist Nude,&nbsp;Momus︎ Portrait of the Artist as a Young Thief,&nbsp;Momus︎ Solitary: Collective Authorship and its Discontents,&nbsp;Momus︎ On Peggy Ahwesh at Microscope Gallery, Mutt Art Review ︎ She Left the City for Suburbia and Settled Down. Then the Haunting Began, The New York Times ︎ An Art World Satire Invokes a (Literal) Ghost, The New York Times ︎ The Loneliness, and Danger, of Being a Young Woman in a New City,&nbsp;The New York Times︎&nbsp;What I Learned When I Started Using Rogaine,&nbsp;The New York Times︎ MDMA, Hexagons and History: Inside the Mind of Alice Wang, Ocula ︎ The Long Journey Preceding Paradise: On The Sojourn and A Stone’s Throw, Open City Texts︎ Soft Power, Untitled Edit︎ The internet is changing how we see art. Maybe that’s okay, The Washington Post ︎ The tragic exploitation that puts food on our plates,&nbsp;The Washington Post︎ A furious, joyful memoir of working-class New Jersey and the writing life,&nbsp;The Washington Post︎ Ambition is the antihero in ‘Central Places’,&nbsp;The Washington Post︎ Chan is Missing (1982), wig-wag zine (personal essay) ︎ Organic Intellectuals,&nbsp;X-TRA